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The girl steps back and looks away for a moment.
    “I apologize, my name is Amelia. What are toi called?”
    Re-boot. “My name is Zero.”
    “Zero, will toi rejoindre me in the battle against Ragnarok?”
    I hesitate. Ragnarok? Could this really be the end of days? These creatures, I know they’re powerful, but are they really capable of destroying everything? Hehehe, well, at least I won’t be bored fighting them. I straighten my back and say: “Yes, I will rejoindre toi in preventing the end.”
                        /////
    “Ah, how a single seed of madness can grow into such chaos. Such destruction, caused par a single twitch of the puppeteer’s finger. Soon, it will be time for me to descend on this world, and I will rule as a God!” With this, the god of madness, Hell Kiros, steps off the building, and vanishes.
                        Ch. 6
    “Good god I’m hungry! There must be a law that keeps restaurants open during the apocalypse.” Yeah, humor. I’m a little out of practice, but I’ve been… cheery since Amelia showed up.
    “Yes, well, I find that it would be quite difficult to enforce. Besides, we just had a meal less than an heure ago.”
    “Hey, I have a high metabolism; call it a design flaw if toi want.” The creatures have mostly moved on, but we did not follow them. Apparently Amelia had seen where they first appeared, and we were now heading towards the facility she a dit they had originated from. I look down the rue and see one of the creatures staring intently at a mannequin in the Men’s Big and Tall boutique and could not resist. “Hey, that suit’s just gonna make toi uglier!” I laugh when it looks at me, bewildered, then stop when five plus appear from the adjoining alley. “Oops. I’ll take the four on the left, toi get the other two.”
    “Ha,” Amelia laughs, firing four energy bolts, “How about toi take the other two.”
    “Show-off,” I say, and dash vers l'avant, vers l’avant with my blade at the ready. I jump and dash around the creatures, slashing at their armored hides for the purposes of irritating them and making them strike at themselves and each other. As I tire of the grotesque parody of a slapstick comedy, I strike swiftly at their necks, ending their performance and lives.
    “You have room to talk.” Amelia says, but I hear the laughter in her voice. “Come on, we need to find out who set these things loose.”
    Before long, we find ourselves at a gated compound on the far side of town. “Tsk, tsk they left the door open; someone could come in and rob them.”
    “Like us?”
    “Only if they left the mess hall unguarded.” We walk through the gates without incident and come to the main entrance.
    We enter the building and look around, “Nobody home?” I pause and look at the alarm box on the mur “All of their security is down, and there is no one at the guard station, what’s going on here?”
Amelia wanders over to the computer and looks at the screen, “There appears to be a map of the facility on this machine.”
    “Really? Let me look,” I walk over and examine the display. “It’s like they want us to find everything… but why?” I find the room labeled “Control Room” and follow the halls back to our current location. “Well, assuming this map is real; we should be able to get all the way to the center just par following this hall.”
    We creep along the hallway, expecting some kind of ambush around every corner. Some of the doors had bright orange bio-hazard signs that drew my attention; “Incubation 1”, “Autopsy”, “Failsafe Installation”. I stop at the last one and stare. “These creatures have an artificial fail-safe device.”
    “What does that mean?” Amelia whispers.
    “It means that we can take them out from somewhere in this facility, a single switch and they all drop dead.” Of course, if you’re going to unleash a horde of monsters toi would need a way to stop them. I should have known. “
We still need to reach the control room, that is where the fail-safe switch should be. Now, instead of simply trying to find why, we can end this here and now!”
    The control room was chaos. Bodies and parts of bodies everywhere, blood painting the walls and floor a brownish red, and strange, yet familiar burn marks on surfaces throughout the room. “This was not them.” I state, not that the fact wasn’t obvious.
    “But what could have done this if not them?”
    “I’m not su-” I stop as I notice a scorched metal case; the scorch marks where perfectly natural, and far from fresh. I slip over to it and open it slightly. A single indent in the foam padding showed that the case had once held a large syringe, which was now lying empty on the floor.
The Story Behind The Comic Book 'Zen Intergalatic Ninja' - Stephen L. Stern via FilmCourage.com.
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Write What toi Know Doesn't Mean Write Your Life Story - Cody Smart via FilmCourage.com.
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Why We l’amour Stories - John Bucher via FilmCourage.com.
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How To Write A Netflix TV montrer - Daniel Calvisi via FilmCourage.com.
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added by coolie
Source: me
posted by Rae-Ash
I am from a dad who showed me l’amour –till I turned four
--A navy man with no plus room for me
To burned bridges with family, Friends and loved ones

From the chilly blue ocean, days spent at the golden beach,
And time spent hiding from the world

From days spent with despair and wishes for death
To days with unending laughter and forced smiles

The hopes of tomorrow being destroyed
And memories that become tarnished

From helping raise four younger siblings
And growing up too fast
To begging my friend not to die

From my tears, joy, and fears
To finding the Father who always loved me

From being too terrified...
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As I gasp for breath while I drown the pain in morphine
While my cœur, coeur beats in tune with the rolling static hills on the metal screen
I lay on my deathbed reflecting on my life
I can say I had a good one although it was filled to the brim with tidal waves of hurt
I laughed in delight while running through the golden fields embracing the open skies and wearing a halo of warm sunshine
I climbed trees and swam in the salty émeraude sea
But Moma was always working hard at the le dîner, salle à manger filling out orders for sugary milkshakes and greasy fries
And brother Tim was always out too late fixing old radios who sang...
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added by Andressa_Weld
posted by June4
It’s raining on my window pane,
Inside this house looks so lame.
I’m so funny, so bored hunni.
Nothing much to do but to be a horn dog,
Being bored makes me write in my log.


Are we counting up ou down?
Nothing seems to go around.
Boredom, toi don’t like him.
Boredom, toi wanna shoot him.
Don’t make that move.


toi get in trouble when looking for fun,
toi get so tired when the jour is done.
Soon as toi get in bed,
toi remember what should be done instead.
Just forget the problem.


Get a goodnight sleep and dream.
Forget about the boring adventure,
toi should’ve discovered something in nature.
Boredom, forget them.
Boredom, sleep before the morning.
7 Stages Of The Comic Hero's Journey - Steve Kaplan via FilmCourage.com.
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romantic comedy
Difference Between A Story Engine And A Story Goal - Naomi Beaty via FilmCourage.com.
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500 questions To Help toi Write A Better Story via FilmCourage.com.
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Writers Should Think About The Story World From The Beginning par Houston Howard via FilmCourage.com.
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Is It Better For A Screenwriter To Not Share Their Idea Before écriture It? par West Liang via FilmCourage.com.
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jouer la comédie
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Crime Scene Investigation Screenwriting Masterclass - Full Interview with Professor Ron via FilmCourage.com.
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forensics
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Story Mastery & The Director's Journey - Full Interview with Michael Hauge & Mark W. Travis PART 1 via link plus vidéos at link
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7 Deadly Mistakes Screenwriters Make - Steve Douglas-Craig via FilmCourage.com.
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99% Of Screenwriters Make This Mistake When They Begin - Andy Guerdat via FilmCourage.com.
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posted by ZekiYuro
Catherine Orr is 19 and is a non-identical twin.She tells us about her relationship with her sister,Michelle.

How do toi think it is different being a twin?
'I think it's very different.We've been through exactly the same things:the same birthdays,the same parties,the same first jour at school,the same evil maths teacher.'

Do toi think toi and Michelle are plus similar than ordinary sisters?
'Definitely.If I don't like a film,then neither does she.We pick up the phone at the same time to call each other.If I get ill,so does she.'

Do toi get on well with Michelle now?
'Yes,I see her about once a week,although...
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posted by BellaSwan636
Serena

I watch the two girls drag Ashleigh's duvet off of her lit and into the contemporary, yet welcoming living room. I watch as they try to make a tent, giggling whenever their construction collapses, and tugging it back into place just to watch it self-destruct every time.

If only it were that easy. Just being able to laugh whenever your life falls apart, then cheerfully re-build it all over again, knowing it will not stay that way, yet not giving up.

**************************************************

I think back to six months after Ashleigh was born, when I had the small violet butterfly...
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