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Okay so this is gonna be plus of a speedy short article inspired par Mauser's question here on random. link Apparently people here have expectations and I won't fail lmao.

Above all else for a villain to be an effective character in my eyes is their backstory/motivation. Nothing makes a villain plus fascinating to me than multiple layers. I'm talking about characters like (now I know toi won't see this coming!) Azula and Regina. Regina is my prime example of a fleshed out villain. Her lover was killed when she was very young and right in front of her. That sparked her to start on the path to evil; she was desperate to bring him back. Another layer is added in season 2 when toi see how actively she resisting the darkness and just how much manipulation and (from her mother) child abuse it took to get her over the edge. She's not just evil for the evils.
Azula is somewhat the same; on the surface it seems like nothing is really going wrong in Azula's life and that she pretty much just the antagonist because her dad a dit so. It's plus than that though. Azula felt unloved par her own mother and so the only person she had to teach her morals was pops. And pops was an all out, full on asshole. Her complexity is sort of buried deep and at first was hard to pick out because she never made mention of it. When it was first mentioned she really glossed over it and made it seem like it was no big deal. At the very end of the montrer though, it all came out via a complete psychosis.

Which leads to the suivant point; if toi throw on a sprinkle of crazy I'm plus intrigued already. I think that that adds one of the critical multi-dimensions. A villain who isn't mentally sound can do some pretty wild things and create a lot of damage. Bellatrix is my chienne here; she's so delightfully sadistic and unpredictable. What makes her so effective as a villain is that her instability makes her creepy in a way that Azula's doesn't. Azula's makes her a sympathetic villain. Bella's makes her an effective villain. toi don't know what's gonna happen with her and it keeps toi on your toes.

The above mentioned; sympathy is another way to make a good villain. If toi give them the right back story ou motivation toi can create a sympathetic villain. The kind of villain toi almost want to agree with ou at the very least, hug. Regina would be my biggest example of this. She has Lost and been through so much.The woman really just wanted someone to l’amour her and when she couldn't get it she tried to fill the void with vengeance and a false sense of happiness.This kind of villain evokes emotion and toi almost want them to be redeemed, warm, and well-fed. Any character that can instill emotion is an effective character. Even if toi don't like that character you'd have to admit that they're well written.

The suivant thing that makes a villain a good villain for me is the kind that keeps toi guessing. If a villain can keep toi on toi toes through the whole show, book, ou movie than he ou she is doing a good job at being bad. Isabella (BBC's Robin Hood) is good for this. She started out as the good guy and turned evil. She's cunning and manipulative and constantly switched sides. toi never really knew whose side she was actually on; the antagonist's ou the protagonist's. Basically she did whatever benefited her at the time. She was that character toi had to watch at all times lest toi wind up with a couteau in your back.

Which leads to the suivant component. Trickiness. A good villain is a smart villain. They don't kick the door in and yell, "LEEEEROY JENKINS!" They plan things and execute the plans well. They are smart and have the hero at a loss as to how to unravel their plan because the plan was so elaborate. Azula was extremely effective in this way; when she didn't have raw power on her side, she had cunning. She has a back up plan for going to the bathroom. I'm talking things like; in one episode she had no bending (her ability to wield fire). What she did instead was take a bunch of Dai Lee (yeah this is spelled wrong but fuck it, this is an article about villainy and my poor spelling is villainous). agents. These guys were earthbenders she had them lined up to protect her. What the Heroes and the viewers don't find out until the very end is that she wasn't even trying at all; she was the decoy that wasted their time so they couldn't fight her father and in doing that--take down the feu Nation. Add another layer of cunning on haut, retour au début of that because she had a wildly intelligent plan to have acquired the agents in the first place. With brains alone, Azula took down a city that hadn't been breached in nearly a hundred years. Literally it took patience and a clever disguise...and playing someone who was trying to play her. Like they were trying to stab each other in the back and she out stabbed him. So yeah, the plus clever the villain the better.

Even if they aren't smart there's still a save. If they have wit and humor they can still be a good villain. Like Kronk from Emperor's New Groove. His head is a bit dull but he's a blast to watch. He's got a lot of hilarious lines and his screw ups a great to watch. This is the comic relief villain which can still be super effective if done right.

In other words there are many ways for a villain to be a good villain. They can have all ou even just one of the above and I think that they'd be effective. I tend to favor the ones with all of the above the most. But lets be honest, I think for myself personally, all they have to do to be a good villain is be the villain at all lmao. I mean Icy from Winx is just an asshole. But I still l’amour her.
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posted by nmdis
RED

Loving him is like driving a new Maserati down a dead-end street
Faster than the wind, passionate as sin ending so suddenly
Loving him is like trying to change your mind once you're already flying through the free fall
Like the couleurs in autumn, so bright just before they lose it all

[Chorus:]
Losing him was blue like I'd never known
Missing him was dark grey all along
Forgetting him was like trying to know somebody toi never met
But loving him was red
Loving him was red

[Verse 2:]
Touching him was like realizing all toi ever wanted was right there in front of you
Memorizing him was as easy as knowing...
continue reading...
posted by nmdis
SLOW DOWN

Now that I have captured your attention
I want to steal toi for a rhythm intervention
Mr. T, toi say I'm ready for inspection
Show me how toi make a first impression

Oh, oh
Can we take it nice and slow, slow
Break it down and drop it low, low
Cause I just wanna party all night in the neon lights 'til toi can't let me go

I just wanna feel your body right suivant to mine
All night long
Baby, slow down the song
And when it's coming closer to the end hit rewind
All night long
Baby, slow down the song

If toi want me I'm accepting applications
So long as we keep this record on rotation
You know I'm good...
continue reading...
~A/N~ I want to give half credit for this to DaveAndJohn we had the idea together o3o l’amour bois d'if, if, yew fellow homestuckie. And I also want to thank vampirer04 for helping me when I was stuck and couldn’t get ahold of DaveAndJohn. Thanks so much to both of you. FYI all the povs are at different places –in school unless a dit otherwise- and different times –unless they are connected to another pov stories-
(Mituna’s POV)

It felt weird doing this to my little brother, but Sollux had it coming. I had walked in with a bucket and threw the content inside on him. Sollux sat up soaked, “Mituna what...
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posted by Bella_Dhampir
Oh, fallacies!

So.. as stupid as this may sound, I've never really known about fallacies. That is, until this year, when we learned about them. To tell toi the truth, I felt pretty stupid after that English lesson.. not because I had never known about fallacies, but because I realized that I used them in A LOT of arguments. O.o

So I guess I just wanna liste a couple of populaire ones, and define them for any of toi who also don't really know about fallacies, and just talk a bit about them and how I've used them before.

1. ad hominem
This is when the arguer attacks the person instead of the argument...
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posted by klaine_forever
I, klaine_forever, did NOT write this! I dont know if it has already been posté so if it has then whatevz

Big Macintosh surveyed the many apples trees that made up Sweet pomme Acres. It was nearly apple-buck season once again, and it looked as though they would be having a bumper harvest this year. He nodded, satisfied. His sister cidre fort, applejack walked up beside him. “Whoo, boy howdy! I sure am glad toi ain’t injured this time, Big Macintosh!” she said. “Why, there’s even plus apples on them trees than last year!”
“Eeyup!” Big Macintosh replied, in his characteristic manner....
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There was a boy called Jake who always got teased at school he got because he was different one jour he he cme back to school it looked like a normal jour but while everyone walked around Jake acted himself like every normal jour but when the cloche, bell rang for clas he got a 44 feu arm he shot lot's of the kids teacher too so toi let that be a lesson for toi if toi had not teased him he would have been fine who knows toi could have even saved his life.

Afew days past and Jake was dead he had decided to shoot himself in the head many people blammed it all jake when really it was there own fault at take.