Hey, everyone! My boyfriend wanted me to write a review for "Sigh No More" for his website, and I'm wondering if y'all could give me some feedback since he wants me to write plus in the future? haha
par now, if toi haven't heard the name "Mumford & Sons," toi may be living in a cave with your fingers in your ears. With only one album, they’ve hovered at the haut, retour au début of the U.K. charts for 72 straight weeks, as well as earning high spots in all the other predominantly English-speaking countries—you can’t turn on a radio in the U.S. without hearing “Little Lion Man” at least once nowadays. This London-based quartet has tapped into the populaire masses playing catchy folk with naught but a basse, bass drum and a tambourine as their percussion on most of their songs, still somehow urging the listener to bounce up and down ou headbang while listening.
Sigh No plus is deliciously rife with musical explosions that are surprising on the first few listens, and once toi get used to them, toi wait on the edge of your siège for them and have a braingasm when the mur hits you. In the cases of “Little Lion Man” and “Roll Away Your Stone,” two of the four singles on the album, “Country” Winston Marshall’s insane banjo playing carries these intense moments rhythmically much further than any other instrument; in calmer songs such as “White Blank Page” and “I Gave toi All,” the peaks are plus gradual and paced, pulling the listener through the entire song despite the slower tempo.
Although Mumford is the lead, each of the members’ voices can be distinctly heard during invigorating choruses, as they all have a unique melodic line that enriches rather than overburdens the listener with noise. This makes them able to get away with just chant an open “ahhh” on a few tracks without becoming boring, and when they go a capella, there’s nothing to do but bask in it.
Apart from the fact that they subtly lifted lines from Shakespeare and Hemingway, many of Mumford & Sons’s lyrics are simple yet so well-crafted that each song allows the listener to glean a story from them in their own minds. “Dust Bowl Dance” is one of the few on the album that doesn’t leave much room for personal imagination, but it still touches on the universal issue of unequal wealth distribution, as Mumford asks “One man has and the other has not/ How can toi l’amour what it is toi have got?”
“After The Storm” is a standout track, using no percussion whatsoever, a guitar, and Marcus Mumford’s gentle vocals. It’s certainly not the only one in which l’amour is mentioned, but it seems to be plus personal, and it is perfect to listen to after a quarrel - “Love will not break your heart, but dismiss your fears,” Mumford sings amongst other romantic postulations that ultimately are about humbling yourself before the harsh world and helping your partner to survive.
The titre track, “Sigh No More,” also declares that “love, it will not betray you, dismay, ou enslave you/ It will set toi free”, but it seems to invoke l’amour for your fellow man – it’s definitely the feel-good song on the album. The slow fade-in of Mumford’s guitare eases the listener into the music, and each instrument adds itself on seamlessly, introducing their musical style so well that no other song could have worked as the first track.
Considering none of these musicians owned their own instruments when they started recording, the aspects of their composition are simply astounding. They have managed to create musique that is diverse and exciting, with simple, down-to-earth themes that don’t extrapolate ou understate – the perfect recipe for our fast-paced world, when all we need is something attention-getting that makes us slow down and think a little.
That's all ^^; there's a link to his website on my profil if toi want to check out this review with all the pretty graphics, but really I'm just looking for critiques on my écriture :) thanks!
par now, if toi haven't heard the name "Mumford & Sons," toi may be living in a cave with your fingers in your ears. With only one album, they’ve hovered at the haut, retour au début of the U.K. charts for 72 straight weeks, as well as earning high spots in all the other predominantly English-speaking countries—you can’t turn on a radio in the U.S. without hearing “Little Lion Man” at least once nowadays. This London-based quartet has tapped into the populaire masses playing catchy folk with naught but a basse, bass drum and a tambourine as their percussion on most of their songs, still somehow urging the listener to bounce up and down ou headbang while listening.
Sigh No plus is deliciously rife with musical explosions that are surprising on the first few listens, and once toi get used to them, toi wait on the edge of your siège for them and have a braingasm when the mur hits you. In the cases of “Little Lion Man” and “Roll Away Your Stone,” two of the four singles on the album, “Country” Winston Marshall’s insane banjo playing carries these intense moments rhythmically much further than any other instrument; in calmer songs such as “White Blank Page” and “I Gave toi All,” the peaks are plus gradual and paced, pulling the listener through the entire song despite the slower tempo.
Although Mumford is the lead, each of the members’ voices can be distinctly heard during invigorating choruses, as they all have a unique melodic line that enriches rather than overburdens the listener with noise. This makes them able to get away with just chant an open “ahhh” on a few tracks without becoming boring, and when they go a capella, there’s nothing to do but bask in it.
Apart from the fact that they subtly lifted lines from Shakespeare and Hemingway, many of Mumford & Sons’s lyrics are simple yet so well-crafted that each song allows the listener to glean a story from them in their own minds. “Dust Bowl Dance” is one of the few on the album that doesn’t leave much room for personal imagination, but it still touches on the universal issue of unequal wealth distribution, as Mumford asks “One man has and the other has not/ How can toi l’amour what it is toi have got?”
“After The Storm” is a standout track, using no percussion whatsoever, a guitar, and Marcus Mumford’s gentle vocals. It’s certainly not the only one in which l’amour is mentioned, but it seems to be plus personal, and it is perfect to listen to after a quarrel - “Love will not break your heart, but dismiss your fears,” Mumford sings amongst other romantic postulations that ultimately are about humbling yourself before the harsh world and helping your partner to survive.
The titre track, “Sigh No More,” also declares that “love, it will not betray you, dismay, ou enslave you/ It will set toi free”, but it seems to invoke l’amour for your fellow man – it’s definitely the feel-good song on the album. The slow fade-in of Mumford’s guitare eases the listener into the music, and each instrument adds itself on seamlessly, introducing their musical style so well that no other song could have worked as the first track.
Considering none of these musicians owned their own instruments when they started recording, the aspects of their composition are simply astounding. They have managed to create musique that is diverse and exciting, with simple, down-to-earth themes that don’t extrapolate ou understate – the perfect recipe for our fast-paced world, when all we need is something attention-getting that makes us slow down and think a little.
That's all ^^; there's a link to his website on my profil if toi want to check out this review with all the pretty graphics, but really I'm just looking for critiques on my écriture :) thanks!
Babel
I absolutely adore this song, I find it a very emotional, and uplifting one at that! Having see vidéos of it live, it feels it has a much plus impact to me than listening to the album version of it, making me want to cry.
To me, it feels like they are pleading for l’amour and asking to lead their lover to the right way, hence "And I'll walk slow, I'll walk slow. Take my hand, I'll be on my way." and this has the biggest impact on me within the whole of the song.
Marcus' vocals in this song are powerful nearer the end, and bring the uplifting to it's edge. Along with the instruments playing along-side him, makes it feel plus emotional and that is why I adore this song, so, so much.
Thanks.
Lovers' Eyes
