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 Filmmaker/actress Angela Matemotja
Filmmaker/actress Angela Matemotja
Most people find themselves struggling against their inner demons at some point in their life. It’s the degree and depth of that fight that differs from one person to the next.

Filmmaker Angela Matemotja weaves together a story of individuals fighting to step out from behind their darkest fears in the dramatic feature film “Elevate.”

The premise follows an overweight elevator switchboard operator (Matemotja) struggling to achieve even one jour of healthy eating. Her conflict is worsened par an abusive boss, trapped elevator occupants, and her fitness guru as they all find themselves caught face-to-face with their inner demons.

“Elevate” was recently released on iTunes, amazone, amazon Prime and Google Play par populaire indie distributor Gravitas Ventures. It first gained momentum on the film festival circuit, picking up numerous awards including Golden State Film Festival’s ‘Best Inspirational Feature Film’ and Silver Screen International Film Festival’s ‘Best Feature Film’. Angela picked up several for her feature film directorial debut efforts, including Female Pioneer Award (Downtown Los Angeles FF), Best Director (Rainbow Umbrella LGBTQ FF), and Best Leading Actress (Accolade Global Film Competition).

Angela has been nominated for an NAACP Award and picked up haut, retour au début honors at numerous festivals for her short films “The Encounter” and “The Untimely Concurrence”. The actress-turned-filmmaker is known for her role in Tyler Perry’s “The Single Mom’s Club” and in “Something Like A Business” with Kevin Hart. She has also appeared on “How I Met Your Mother,” “Bosch,” “Castle,” “Don’t Trust The B…” and “The New Normal” among others.

I recently caught up with Anglea Matemotja to find out plus about “Elevate”:

Tell us about your film “Elevate.”

ANGELA MATEMOTJA: “Elevate” is a dramatic feature film of intertwining stories about people who must fight to overcome their struggles with nourriture addiction, homophobia and racism. Set around broken elevators, our Protagonist Trina, is an elevator dispatch operator who tries to accomplish just one jour of healthy eating. Tormented par her boss and the elevator occupants that reach out to her for help, she seeks refuge through a fitness guru who she desperately tries to emulate.

You wrote, directed and also étoile, star in the film; what was that like?

AM: I am NOT jouer la comédie in my suivant feature! It was so hard and I l’amour jouer la comédie and directing equally so it’s hard to say that I gave each of those the proper chance to really shine in “Elevate.” I’m very proud of the film, but I can’t help and wonder if my jouer la comédie ou directing could have been even better if I didn’t wear so many hats. I produced it as well!

What message do toi hope audiences to take away after watching the film?

AM: Perspective. We live in such divisive times, so any contribution I can make to unify folks par way of allowing different and even opposing perspectives to be fully expressed, I think is invaluable. Hopefully people walk away from the film having a little bit plus compassion and to remember we all have struggles, doesn’t mean one is right ou wrong, it’s just part of being human. My human may not agree with your human, and that’s okay. Let’s try to understand each other and not judge.

Any interesting stories from the set toi can share?

AM: We had the bar location for a very limited amount of time, I think it was like two ou three hours. When our lighting was being set up, we blew the fuse of the entire bar. No electricity! The bartender was doing us a favor par letting us shoot there on the dl and the owner of the bar didn’t know we were there shooting. We HAD to call him to figure how to regain power. It was horrible!

It was an old bar so nobody knew how to operate the fuse box so we Lost an heure of shooting because we had no electricity. Suffice to say, those bar scenes in “Elevate” are my least favorite! We had to shoot so fast and even have shaky camera, it was horrible because I didn’t get the coverage, I needed so our choices in editing...ah! Those were the hardest scenes to cut. It was a nightmare and we even ended up totally cutting out one of the bar scenes.

Before releasing publicly, “Elevate” earned several awards on the festival circuit; tell us about that experience.

AM: I loved our festival experiences! We got lucky because each festival was so different and special in its own way. I even ended up going to South Africa for our two screening at Rapid Lion, South African International Film Festival. It was amazing! Then of course our world premiere at Downtown Los Angeles Film Festival was fabulous! People responded so positively to the film. I l’amour watching my films with a live audience. BEST THING EVER! Winning awards is icing! I’m so grateful when anyone appreciates the film. Please watch it on AMAZON! link

What’s the biggest lesson toi learned from creating this project?

AM: So many things I learned. The most important lesson for me was patience. We had so many starts and stops, post production was pretty brutal and at one point I thought the project was dead and I almost gave up. I learned “a pause in the road” does not mean the end of the road. Patience. I learned about cultivating the skill of patience. I’m not a patient person, so for me, that was a huge lesson.

And, now just for fun:

Who’s your favori actor/actress?

AM: Forest Whitaker, Meryl Streep, Laura Dern, Angela Bassett, Regina King and Nicole Kidman. Steve Buscemi is interesting too. Hard to pick just one!

What role from the past do toi wish toi could have played?
AM: The role of Vanessa in Athol Fugard’s “Valley Song.”

Favorite movie ou TV montrer from your childhood.
AM: “The Facts of Life.” I saw myself in Tootie! Not only was she black like me but she always wore roller skates and I lived in my roller-skates as well! I was really good too!

Tell us one thing that would surprise our readers to learn about you.
AM: Russian is my first language. I don’t speak much of it anymore, but I did when I was a kid.

How can fans keep up with you?
AM: On Instagram: @angelamatemotja link
Twitter: @matemotjafilms link
Websites: angelamatemotja.com link and elevatefilm.com link
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 Brian Oerly
Brian Oerly
Actor Brian Oerly packs a one, two, three coup de poing with appearances in “Parker,” “Bullet to the Head” and “The East.” Dubbed Hollywood’s newest ‘bad boy’, this Stuntman turned professional Actor has been taking his fair share of licks against Hollywood’s A-listers for some time now.

Brian gained attention last an as the Arian henchman flanking Vincent D’Onofrio and Bruce Willis in the action-thriller "Fire with Fire," and alongside Forest Whitaker in the Lionsgate release, "Freelancers." His précédant télévision credits include “Memphis Beat,” “CSI: NY,” “Chuck,”...
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posted by digititles
salut everyone,



Have a look at these key art montages illustrating how key art is so stereotypical!

Most of the time toi can tell the genre of a movie par just glancing at the poster.


There are 10 images in the series link for full viewing.

ex: orange on black and white is action and crime



I think its the kind of thing toi dont really notice until toi see the comparison. wow.
posted by potterandtdi
This movie is an amazing one! It combines two of my favori things: Comedy and Zombies. The actors were great.

Jesse Einsenberg was amazing as Columbus. He had great facial expressions and amazing narrative skills, along with his character's rules like #1: Cardio and #32: Enjoy the little things. He was purely amazing as some wimpy college student who never opened up to the outside world.

Woody Harrelson is, in my opinion, what made this movie. His character zombie ass-kicker Tallahassee is tough, brave, and skilled. Although all this is true, we see plus of a sadder side of Tallahassee. His...
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posted by heidigho3
I just l’amour the fourth X-men movie. It explains so much about Logans past. I cry everytime I see Hugh in the movie nearly in tears when someone he loves ou cares about is killed. I just can't stand seeing men cry, but only true men cry. It twists around action and romance in such a great way. I l’amour the part when he is on the motorcycle and he retracts his claws and shreds Striker's men car and it flips into the air and almost hits Zero. It's so cool when he blows up the helicopter in slow mo. It gives be Chair de poule everytime I see him walk away with a serious face on him. It's so hot! It's a dit at the end when he gets his memory taken away from him and he doesn't remember the girl of his dreams and she dies right there on the spot after driving Striker away. It was also a good idea to make Sabertooth, Wolverine's bro. That made the movie plus exciting and shows the rivalry of them in the first X-men movie. I think Hugh did a wonderful job jouer la comédie all aggressive and all.
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