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 Alyssa Milano
Alyssa Milano

The little Mermaid was released on November 17 1989 and is largely accredited with being the film that heralded the beginning of the Disney Renaissance. With the average production time of an animated Disney film being 6 years this film was developed in the height of the 80’s.


The assignment of designing the heroine Ariel was left to animator Glen Keane who would go on to animate other Disney characters such as the Beast, Aladin and Tarzan. He wanted the heroine to be reminiscent of the traditional Disney Princesses while at the same time being relatable to the ‘modern girl'. A common misconception is that Ariel was only modeled after a young Alyssa Milano. Other mannequins includeding Glen Keane's wife were sources of inspiration.
 Sherri Stoner
Sherri Stoner

While the live action model for Ariel was an obscure actress named Sherri Stoner, Alyssa did exemplify the 80’s teenager, which was reflected in Ariel. So the assumption is only partly true because Glen Keane did in fact referr to such young girls as Alyssa Milano to see what hair styles were in and what was considered beautiful in teens at the time.
 par John William Waterhouse
by John William Waterhouse

Glen Keane also turned to classical artwork for reference material. Although the reason for Ariel's bold red hair color is unknown, it is highly reminiscent of one of the most famous mermaid paintings par John William Waterhouse in 1901. Waterhouse was known for his depictions of fictional female characters from mythology, literature and fairytales. This mermaid is combing her hair; an iconic image that would make its way into the Disney film as the dinglehopper.
 par Edvard Eriksen
by Edvard Eriksen

Another source of inspiration was The Sculpture of the Little Mermaid created par Danish sculptor Edvard Eriksenwho shared a name similar to that of Prince Eric (though plus likely named after animator Eric Larson) Animators ended up deciding against the double finned look in this piece and resorted to the traditional single fin. However the sculpture did not go forsaken as it is the last pose Ariel takes as a mermaid in the film.

For the sake of maintaining a G-rating, it was easy enough to slap on a clamshell bra but what would Ariel wear when she became human?


When it comes to Ariel’s land attire, not much is original. While the time period is clearly the late 1700's Ariel's outfits are very much misplaced. This being the first Disney Princess film in nearly 20 years the animators decided to pay tribute to the first three princesses; Snow White, Cinderella, and Aurora. Much like Gizelle in the récent film Enchanted, bits and pieces of her princess predecessors were incorporated into Ariel’s clothing.




Not many people are aware that Ariel’s rose evening robe was directly inspired par all three Disney Princesses prior. Her puffed shoulders are the same design of Snow White’s dress. The shoulder line and long sleeves come from Aurora. Then the bust cut, large jupe and overlaying fabric on the sides are from Cinderella’s ball gown. The soft rose color was chosen not from Aurora’s dress but Cinderella’s original rose dress that got destroyed par her stepsisters.




The blue dress that Ariel wears to town with Eric is also a woven mush of dresses prior. The haut, retour au début half was taken from Briar Rose’s peasant outfit, the length of the jupe is the same as Snow White’s, the low neck line and the blue color scheme is of course from none other than Cinderella. (who, par the 1980's was being advertised as having a blue dress)




But what doesn’t scream the 1980’s plus than giant puffed sleeves? plus identifiably ‘modern’ at the time, Ariel’s wedding dress still had features borrowed from Aurora, most notably the lacing trim where the waist meets the jupe and, once again, the long sleeves.





In the end it is Ariel's glittery slip of a dress which reigns as the most original in the entire film. Like Ariel herself, it is completely unique and equally chic par even today's standards. Ariel has come to be one of the most populaire of Disney Princess to jour and rightfully so. No matter how much her clothes resemble those of princesses past, she is a true Disney Original. Through her, Disney emotionally explored a character's soul like it had never done before and effectively created a character in which young children all over the world can share in the aggravating angst of wanting something that we all feel at some point in our lives.
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Kylo Ren and Princess Jasmine?
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posted by anukriti2409
I wanted to write an article on things and concepts from DP films that struck me with awe, left me speechless, inspired me and made me believe that magic is for real. The things that truly symbolized all the charm of magical world.

10. Cinderella's transformation and waltz with Prince:
This is what the dreams should be made of, this is what heavens feel like. Everything poor and dirty will change to new and shining, on flick of a wand. That silvery blue robe and crystal white carriage and moonlit path to a château makes me sigh. And the waltz was so pure magic, with unbelievably gorgeous moonlit...
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All right, this doesn't count as a real article par me. This counts as a aléatoire blurb...addressing the DP stereotype that all of the prior Disney Princesses save the Revival/ Modern ones... all married their guys the same jour they met them.

Broken down, as I have watched all thirteen movies... this is what I FOUND out is the ACTUAL CASE.


Snow White meets Ferdinand within the first five minutes of the film, and he woos her so to speak. But many, many, many DAYS PASS before he comes upon her in the coffin in the woods, figuratively "dead" from a poison pomme bite. At the end of the movie, Snow...
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Source: The lyrics are from the song My Skin sung par Natalie Merchant. The picture is made par me.
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 credit to petitetiaras
credit to petitetiaras
"It's CHRISTMASSSSS! Oh Tia, Tia, I can't believe it's finally here! I'm oh so excited to be spending the jour with all your friends, all the pretty, pretty princesses! I can't wait to montrer them up with my pretty rose dre-TIA WHERE'S MY rose DRESS??" Lottie shouted at the haut, retour au début of her lungs.

"Right here Lottie," Tiana pointed to the dress, right in Charlotte's point of view. "Anyway merry Christmas Lottie! Our seventeenth Christmas together, my how time passes.

Ding Dong

"They're already here? Oh Tia, oh Tia, I'm not ready for this! I am not ready for this! I don't even have my hair done!" Lottie...
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