We track down the tunes in 'Focus' and plus buzzy trailers | The musique Mix | EW.com 

What\'s that song? We track down tunes in 9 buzzy trailers

What’s a good movie trailer without a killer song to drive home all the explosions and aggressive make-out scenes? Molly Simms and Isabella Biedenharn tracked down the music in the new crop of previews—so you don’t have to.

Movie Trailers: What's That Song? January 2014

Movie Trailers: What's That Song? October 2014

Fancy businessman Jamie Dornan wants schoolgirl Dakota Johnson to taste the naughty rainbow. But there’s another lady in his dungeon: Beyoncé and her woozy, atmospheric “Haunted.”

Though their world is “fire and blood” (and clearly low on SPF), Charlize Theron and Tom Hardy still manage to look grimly sexy in a sand-blasted apocalyptic wasteland; Verdi’s operatic thunderdome “Requiem: Dies Irae” makes it all feel extra epic.

Will Smith is a con man and Margot Robbie his willing accomplice on a job gone (surprise!) awry. Dean Martin’s “Sway” and psych-rock staple “White Bird” ease us in, but Frank Ocean’s “Bad Religion” warns that crime and courtship don’t mix.

The faster-and-furiouser franchise returns with the full gang, including the late Paul Walker. While they blatantly disregard both speed limits and the laws of gravity, Dillon Francis and DJ Snake’s “Get Low” acts as an aural energy drink.

In the Lost Boy’s origin story, Captain Hook has two hands and Tiger Lily’s crew is decked out in Miley Cyrus’ art projects. With Christina Perri’s soaring ballad “I Believe” playing, there’s little to fear—aside from Hugh Jackman’s facial hair.

DMX gets too turnt on “Party Up (Up in Here),” Public Enemy start a riot on “Louder Than a Bomb,” and Placebo’s cover of “20th Century Boy” is like a platform boot to the face. What, you were expecting subtlety in this magic Jacuzzi?

Ben Stiller and Naomi Watts buddy up with Brooklyn ­hipsters (Adam Driver and Amanda Seyfried) and embark on an ill-advised fedora phase. Their midlife crises are set to two appropriately mature Wings tracks: “Nineteen Hundred and Eighty Five” and “Let ‘Em In.”

Addiction, suicide, and chronic pain: Jennifer Aniston goes there in this somber character study. Luckily, Haerts’ driving, lovely “Hemiplegia” brings some beauty to the proceedings.

for the Snapchat set, this rom-com sees Lily Collins and Sam Claflin as besties falling in and out of love (and into swimming pools) to the 1975’s “Chocolate” and Olly Murs’ “Right Place Right Time.”

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