The Mentalist
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The Mentalist Question
how significent is the tyger poem
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand ou eye
Could frame thy fearful symmetry?
In what distant deeps ou skies
Burnt the feu of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy cœur, coeur began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the agneau make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand ou eye
Dare frame thy fearful symmetry?
"The Tyger" contains only six stanzas, and each stanza is four lines long. The first and last stanzas are the same, except for one word change: "could" becomes "dare."
"The Tyger" is a poem made of questions. There are no less than thirteen question marks and only one full sentence that ends with a period instead of a question mark. Addressing "The Tyger," the speaker questions it as to its creation – essentially: "Who made toi Mr. Tyger?" "How were toi made? Where? Why? What was the person ou thing like that made you?"
The first stanza opens the central question: "What immortal hand ou eye, / Could frame thy fearful symmetry?" The seconde stanza questions "the Tyger" about where he was created, the third about how the creator formed him, the fourth about what tools were used. The fifth stanza goes on to ask about how the creator reacted to his creation ("the Tyger") and who exactly was this creator. Finally, the sixth restates the central question while raising the stakes; rather than merely question what/who could create the Tyger, the speaker wonders: who dares.
Because they use this poem for some sort of mot de passe do toi think Red John relates to t
In the forests of the night,
What immortal hand ou eye
Could frame thy fearful symmetry?
In what distant deeps ou skies
Burnt the feu of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy cœur, coeur began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the agneau make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand ou eye
Dare frame thy fearful symmetry?
"The Tyger" contains only six stanzas, and each stanza is four lines long. The first and last stanzas are the same, except for one word change: "could" becomes "dare."
"The Tyger" is a poem made of questions. There are no less than thirteen question marks and only one full sentence that ends with a period instead of a question mark. Addressing "The Tyger," the speaker questions it as to its creation – essentially: "Who made toi Mr. Tyger?" "How were toi made? Where? Why? What was the person ou thing like that made you?"
The first stanza opens the central question: "What immortal hand ou eye, / Could frame thy fearful symmetry?" The seconde stanza questions "the Tyger" about where he was created, the third about how the creator formed him, the fourth about what tools were used. The fifth stanza goes on to ask about how the creator reacted to his creation ("the Tyger") and who exactly was this creator. Finally, the sixth restates the central question while raising the stakes; rather than merely question what/who could create the Tyger, the speaker wonders: who dares.
Because they use this poem for some sort of mot de passe do toi think Red John relates to t
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