Trying to trace Michael Jackson's influence on the pop stars that followed him is like trying to trace the influence of oxygen and gravity. So vast, far-reaching and was his impact — particularly in the wake of Thriller's colossal and heretofore unmatched commercial success — that there weren't a whole lot of artists who weren't trying to mimic some of the Jackson formula.
In a way, such appropriation is fitting. After all, Jackson himself was a borrower. He wasn't content to make a pop record ou a dance record. Instead, he wanted everything, combining rock guitare with R&B rhythms, disco strings and the funk of 40,000 years. The production on "Wanna Be Startin' Something" is still baffling and magnificent, fusing a stuttering R&B bassline with traditional African call-and-response chants. Who was doing that then? And — even plus notable — who's thought to do it since?
While Jackson will never have an equal, he's always had a steady string of disciples, ready and willing to apply his innovations to their own particular craft. Here's a rundown of the pop stars who pay homage and contemporaries who did some borrowing from the King's arsenal:
Pop Protégés:
Justin Timberlake: Timberlake followed Jackson's career arc like it was the KLF's The Manual: start out as the cute one in a precious, loveable boy band, gradually develop a personality that eclipses and then surpasses your fellow group members, and finally launch an ambitious and wildly successful solo career. If Timberlake's first record owed a too-obvious debt to Jackson (play "Rock Your Body" and "Rock With You" back-to-back sometime), he quickly grew past simple mimicry, crafting a follow-up that dabbled in multiple genres without owing a clear debt to any.
Usher: The first and most obvious Jackson follower of the '90s, Usher possessed both a distinctive voice and laser-precise dancing ability. But what worked for Usher was his ability — like Jackson's — to déplacer beyond simple pop balladry and develop a pure, singular artistic vision (and dance like a smooth criminal). Like Thriller, Usher's Confessions embraced a plethora of styles, opening with a searing crunk classic and slowly giving way to a series of raw, searching ballads. His voice has grown with age, from a clipped squeak to a smooth, elegant croon. Usher has borrowed Jackson's best elements, beginning with simple, low-maintenance pop songs and gradually evolving into an artist of stature and class.
Ne-Yo: And speaking of stature and class: Ne-Yo is contemporary soul's author-in-residence. In addition to his own string of hits, Ne-Yo has co-written chart-toppers for other pop stars, chief among them: Beyoncé's "Irreplaceable." Ne-Yo projects maturity and panache, but his best moments — like the gentle ballad "So Sick" ou the whip-crack dance number "Nobody" — could have been lifted from any of Jackson's early records. The way Ne-Yo clips and dishes his croon across old-school R&B rhythms is vintage Michael, and his prowess with the pen could easily find him penning this generation's "We Are the World."
To Read More; link
In a way, such appropriation is fitting. After all, Jackson himself was a borrower. He wasn't content to make a pop record ou a dance record. Instead, he wanted everything, combining rock guitare with R&B rhythms, disco strings and the funk of 40,000 years. The production on "Wanna Be Startin' Something" is still baffling and magnificent, fusing a stuttering R&B bassline with traditional African call-and-response chants. Who was doing that then? And — even plus notable — who's thought to do it since?
While Jackson will never have an equal, he's always had a steady string of disciples, ready and willing to apply his innovations to their own particular craft. Here's a rundown of the pop stars who pay homage and contemporaries who did some borrowing from the King's arsenal:
Pop Protégés:
Justin Timberlake: Timberlake followed Jackson's career arc like it was the KLF's The Manual: start out as the cute one in a precious, loveable boy band, gradually develop a personality that eclipses and then surpasses your fellow group members, and finally launch an ambitious and wildly successful solo career. If Timberlake's first record owed a too-obvious debt to Jackson (play "Rock Your Body" and "Rock With You" back-to-back sometime), he quickly grew past simple mimicry, crafting a follow-up that dabbled in multiple genres without owing a clear debt to any.
Usher: The first and most obvious Jackson follower of the '90s, Usher possessed both a distinctive voice and laser-precise dancing ability. But what worked for Usher was his ability — like Jackson's — to déplacer beyond simple pop balladry and develop a pure, singular artistic vision (and dance like a smooth criminal). Like Thriller, Usher's Confessions embraced a plethora of styles, opening with a searing crunk classic and slowly giving way to a series of raw, searching ballads. His voice has grown with age, from a clipped squeak to a smooth, elegant croon. Usher has borrowed Jackson's best elements, beginning with simple, low-maintenance pop songs and gradually evolving into an artist of stature and class.
Ne-Yo: And speaking of stature and class: Ne-Yo is contemporary soul's author-in-residence. In addition to his own string of hits, Ne-Yo has co-written chart-toppers for other pop stars, chief among them: Beyoncé's "Irreplaceable." Ne-Yo projects maturity and panache, but his best moments — like the gentle ballad "So Sick" ou the whip-crack dance number "Nobody" — could have been lifted from any of Jackson's early records. The way Ne-Yo clips and dishes his croon across old-school R&B rhythms is vintage Michael, and his prowess with the pen could easily find him penning this generation's "We Are the World."
To Read More; link
Sung to our hearts
Removed evil from our worlds with your sweet loving nature.
But behind your smile was both happiness and pain.
toi carried the pain,
While we, oblivious, a volé, étole the happiness.
A rayon, ray of sunshine and in a class of your own.
This world ever trying to destroy your light, not worthy of any part of your life.
Yet toi never saw it that way and gave us everything till nothing was left.
How could we have placed hatred on someone completely incapable of it.
In heaven now, toi have been set free to live eternally where toi belong. No pain will reach toi up there, of that I’m sure.
toi entered this world loved, left loved, and forever will be loved - what happened in between is unforgivable on our part but I pray that accueil at last it can be dealt with.
- toi a dit toi saw the face of God in children, we saw it in you.
R.I.P Michael.
king of pop.
x
god bless toi and your memeories will be in your heart
we will miss toi a lot.
we hav a good person ,father and a perfomer
god bless his family and fans
we will misss him a lot
from sanjay. ....................................
god bless him iwyth his voice....................
we will miss toi a lot .............................
we will miss toi a lot .........................
we will miss toi a lot
we will miss toi a lot .............................
wwe will miss toi a lot
we will miss toi a lot
we will miss toi a lot
will miwe will miss toi a lot
we will misss him a lot
we will misss him a lot
we will misss him a lot
we will misss him a lot
we will miss toi a lot.
we hav a good person ,father and a perfomer
god bless his family and fans
we will misss him a lot
from sanjay. ....................................
god bless him iwyth his voice....................
we will miss toi a lot .............................
we will miss toi a lot .........................
we will miss toi a lot
we will miss toi a lot .............................
wwe will miss toi a lot
we will miss toi a lot
we will miss toi a lot
will miwe will miss toi a lot
we will misss him a lot
we will misss him a lot
we will misss him a lot
we will misss him a lot