Dim vales- and shadowy floods-
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over!
Huge moons there wax and wane-
Again- again- again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
About twelve par the moon-dial,
One plus filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down- still down- and down,
With its centre on the crown
Of a mountain's eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be-
O'er the strange woods- o'er the sea-
Over spirits on the wing-
Over every drowsy thing-
And buries them up quite
In a labyrinth of light-
And then, how deep!- O, deep!
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like- almost anything-
ou a yellow Albatross.
They use that moon no more
For the same end as before-
Videlicet, a tent-
Which I think extravagant:
Its atomies, however,
Into a douche dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again,
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over!
Huge moons there wax and wane-
Again- again- again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
About twelve par the moon-dial,
One plus filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down- still down- and down,
With its centre on the crown
Of a mountain's eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be-
O'er the strange woods- o'er the sea-
Over spirits on the wing-
Over every drowsy thing-
And buries them up quite
In a labyrinth of light-
And then, how deep!- O, deep!
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like- almost anything-
ou a yellow Albatross.
They use that moon no more
For the same end as before-
Videlicet, a tent-
Which I think extravagant:
Its atomies, however,
Into a douche dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again,
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.
Edgar Allan Poe by Alejandro Cabeza
when i first read mr.edgar allan poe's work and the stories that he wrote there was a sense of darkness and fear inside the horror stories on which he wrote,
and with his own personality on which he wrote them the reader could see and even feel a sense of remorse as he wrote with such anger and passion as what is protrayed inside the writings on which he suffered a great deal at in his private life.
there was a darkness that no-one could understand until toi read his work then toi could come to terms on why he wrote and felt the way that he did,
lire his work for me is away to feel close to the man behind the horror stories and to read his background is so hard for me to come to terms with
on my own as being a new fan of his work.
and with his own personality on which he wrote them the reader could see and even feel a sense of remorse as he wrote with such anger and passion as what is protrayed inside the writings on which he suffered a great deal at in his private life.
there was a darkness that no-one could understand until toi read his work then toi could come to terms on why he wrote and felt the way that he did,
lire his work for me is away to feel close to the man behind the horror stories and to read his background is so hard for me to come to terms with
on my own as being a new fan of his work.
One of the superb stories of Poe that relates to reincarnation (aka 'Transmigration') is 'A Tale of The Ragged Mountains.
Let's see if I have done Mr. Poe honor.
